TUESDAY, FEBRUARY 9, 2010

For two guys long out of their twenties, Scott McGehee and David Siegel sure have a good handle on what it’s like to be young in New York in 2009. The writing and directing duo (The Deep End, )’s latest film, Uncertainty, is proof; it opens with two absurdly attractive young stars, Joseph Gordon-Levitt and Lynn Collins, tossing a coin on the Brooklyn Bridge. Rather than allowing the coin to land on one side, though, McGehee and Siegel show us both alternatives. What follows is a distinctive braided narrative: on one hand, a dangerous, whirlwind tour of Lower Manhattan, and, on the other hand, a quiet family drama set in Brooklyn.

“We wrote the script in a very structured screenplay form, but we didn’t write the dialogue -- we wrote a description of what would be said in the scenes, and then we worked on the script for about a month with Joe and Lynn, to get their voices into the characters,” McGehee explains. The film’s improvised dialogue ends up just this side of mumblecore, in a good way -- there’s a sense of immediacy, as if the audience is making decisions right along with the characters. (Or not making decisions, as the case may be -- Collins’s character is 11 weeks pregnant and they haven’t decided what to do, a fact that hangs over their heads and ours throughout both halves of the film.)

Gordon-Levitt and Collins’s chemistry doesn’t hurt, either. “When we started, we thought we would rehearse relatively straightforwardly,” Siegel says, “but what started happening was we started doing more and more rehearsals of scenes from their past -- the shared history that they would have. And that became a really rich experience for all four of us, especially because we were doing it on location a lot: in trains, in restaurants, on the bridges.”

Location plays a heavy role in Uncertainty -- at times, New York feels like another character. Siegel explains that the two scouted the film with a combination of bicycles and wiliness: “We would go into Chinatown on our bikes, and we would occasionally find open doors and sneak up to rooftops, so that we could get a better vantage point... And it was one on of those little excursions that we came upon the roofs that were connected, and that’s where the idea of doing the chase over the rooftops came from.”

The scene in question is one of Uncertainty’s tensest, most fun moments: Gordon-Levitt’s character darts from roof to roof in a chase sequence that feels more like a Spider-Man clip than anything that could be achieved on an indie budget. The pair adds that the logistics of securing permissions to use all the rooftops drove their location liaison, Eric Lau, into hiding: “He didn’t want to negotiate, because he said the landlords were rivals, or involved with rival groups … the whole time we were on the rooftops, he looked like he sort of feared for his life,” McGehee says with a laugh.

“That was one of those, ‘Wow, could we really possibly do this?’ moments,” Siegel says. “And that was fun.” It's evident from the team's production blog that there was a lot of that kind of impromptu fun on-set -- we don't want to spoil anything, but let’s just say there might be a video of JGL leading the cast and crew in a rousing rendition of "La Bamba." Swoon.

Above: Lynn Collins as Kate Montero and Joseph Gordon-Levitt as Bobby Thompson in Uncertainty

Uncertainty is out in New York and on IFC On Demand.

This story was published on November 24, 2009.
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