Sound Off: 10 New Songs You Need to Hear Now
by Shaad D'SouzaApr 07, 2023
It's impossible to be across all the new music out each Friday. Luckily, PAPER is here to help you out: each week, we round up 10 of our favorite new songs from artists — emerging and established — to soundtrack your life. From the surreal to the sublime, these songs cover every corner of the music world. The only criteria: they all have to absolutely rip.
On their first song since 2019’s Brutalism, The Drums unearth “the longing and pain that stemmed from a loveless childhood,” Jonny Pierce turning youthful strife into a gorgeously winsome indie-pop track.
Related | Jonny Pierce Belongs to Himself
Legendary Zambian band WITCH, progenitors of the globally influential Zamrock sound, have returned with their first new music in 40 years. Featuring Sampa The Great, "Avalanche Of Love" is a triumphant return that captures all the heft and power of the original incarnation.
LA R&B duo THEY. collab with alt-country queen Kacey Musgraves on this surprisingly successful slow jam, an emotive genre-mash that’s raw and effusive.
Elements of dancehall, rave and jungle coalesce on this all-out rager rom Kelela collaborator Bambii. It’s a high-octane ride with a creepy, brilliantly unnerving edge.
NewJeans’ latest single is a subtle, glitchy pop track that complicates the breeziness of their earlier music with a satisfying, digitally screwed edge.
Kylie dazzles on this sprightly, enjoyable dance collaboration with Oliver Heldens, a sparkling piano-house track that expands the universe of her last album, Disco.
SBTRKT creates a mirage-like memory of the halcyon days of chillwave on this spectral, hazily psychedelic Toro y Moi collaboration — a generous taste of the summer months as the weather starts to heat up.
This slinky Shygirl track, from the forthcoming deluxe reissue of Nymph, is so fun and weird that I almost wish it had been on the original album — it recalls classic 2000s R&B while sounding futuristic and uncanny.
A ridiculous, cartoonish hardstyle cut from Mura Masa, the first on his new label. It’s a bit of silly, surreal fun.
Photo by Qiao Meng