Liam Payne's debut album might have flown under the radar, as ex-boyband member's solo projects are wont to do. However, thanks to a hashtag and some passionate reviews, obscurity is not the destiny of Payne's LP1.
Following The Guardian music critic Laura Snapes' review — sub-titled "One Direction's Mr Boring lets his inner sexual piranha loose with frightening results" — #liampayneisoverparty is trending on Twitter. (Paynettes and loyal 1D-ers are currently trending the competing tag, #ProudOfLiam).
The backlash mostly has to do with a song called "Both Ways," which depicts a threesome, and features Payne moaning about his attraction to bisexual women.
The egregiously heterosexual track sees the singer congratulate himself on his queer allyship ("Like that you're different/ do what you want/ I won't judge"), count his luck for bagging such a kinky chick ("Nothing but luck that I'm involved") and croon the line, "Flipping that body/ go head, I got tails/ Sharing that body like it's our last meal." The song certainly paints bi women as an object for straight men's consumption... but the real crime against queer people is that last lyric.
the fact that liam himself, his dumb management and producers, thought this trash song fetishizing bisexual women a… https://t.co/FNMFfHQGm5— sophia (@sophia) 1575661243.0
BISEXUAL WOMEN DO NOT EXIST FOR YOUR PLEASURE BISEXUAL WOMEN DO NOT EXIST FOR YOUR PLEASURE BISEXUAL WOMEN DO N… https://t.co/LT2bfoj129— 𝑪 𝑰 𝑻 𝒀 🥝 (@𝑪 𝑰 𝑻 𝒀 🥝) 1575657485.0
A long notes app apology is likely imminent. Especially given that "Both Sides" has fans connecting the dots between Payne's other cancellable offenses: notably, the 26-year-old having to deny he's dating an 18-year-old, and an interview in which he said he wouldn't let Harry Styles babysit his son Bear for fear the gender-fluidly dressing star would rub off on his spawn's style.
LP1 is, theoretically, a very sexy album full of middle radio hits (Snapes' review points out that Payne is actually the most streamed 1D solo artist). It simply misfires in its attempt to exploit '00s nostalgia and call back to horny dawn of the century R&B-pop. It offends our 2019 sensibilities, attuned as they are to sexless songs about depression and sobriety. "Both Ways" probably wouldn't have turned heads a decade ago, but it's not 2009 anymore. We all miss Akon, but "Both Ways" just isn't it.
PAPER has reached out to Payne's team for comment.
Photo via Getty