Charli wears a Nicopanda Red Ruffled Coat and Jeremy Scott shoes and bag.
"I don't think I'm the type of person who always says the right thing," Charli XCX admits with a laugh. "In fact, I always say the wrong thing at the wrong time."
The 22-year-old, Cambridge, England-born singer does have a reputation for being a "wrong" young pop star, if "wrong" means "admirably indefinable:" she gives expletive-laden interviews, rolls up at awards shows dressed like Cher Horowitz on acid and once holed up in Sweden and wrote a whole punk album, only to scrap it. And while her 2014 album, Sucker, was littered with new wave-inspired odes to dumping deadbeat boyfriends and rallying calls for teens to play hooky, none of Charli XCX's '90s-nostalgia-heavy shtick feels performative. She's one of the few pop stars who's been able to nail down Tumblr-girl power and camp with such strong vision and songwriting that it feels totally organic.
"I think there's this twenty-first-century idea of what sells records, especially within females, but there's no cookie-cutter pop star," Charli says, her spitfire tone never faltering as she answers my questions. (She's calling from a baseball game, which, she assures me, she doesn't understand one bit.) "Sometimes I think record labels still try and cram artists into that, but the artists who are successful are the ones that tell them to fuck off." It's not a sense of provocation Charli XCX brings to the pop music table as much as it is effortless self-assurance. Neither down-to-earth "cool girl" who eschews high-maintenance stardom nor world-dominating diva, she pens songs about hitting the discotheque and acting like she's famous with her girlfriends that are somehow devoid of cloying underdog vibes. She's better than accessible: she feels best-friendable.
Charli wears a Jeremy Scott dress, Dolce & Gabbana hair clip.
Charli wears a Jeremy Scott dress, Fogal tights.
All of this can be owed to the fact that Charli XCX does not care about "being cool," which is surprising given her long list of stellar collaborations (e.g. Iggy Azalea, Ty Dolla $ign, Giorgio Moroder). "At the end of 2013 [there] was a moment when something clicked and I genuinely and truly stopped worrying what people thought of me," Charli says of working on Sucker. "For the past couple of years I've been super done with trying to be someone I wasn't, and finding that peace leads to being able to do what you want with conviction. You're not trying to kid yourself along with everyone else." In turn, it seems like Charli has figured out that the best way to broadcast being a self-confident pop star is simply to inhabit the message.
What's clear is that Charli's determination to freely be who she is extends beyond crafting a comfortable spot just for herself in the pop landscape. A memorable moment for the singer came at the 2015 Grammy Awards, where she was nominated for Record of the Year and Best Pop Duo/Group Performance for her spot on Iggy Azalea's "Fancy."
Asked by Giuliana Rancic what she hated most about the industry, Charli
replied "misogyny" without missing a beat. "There is definitely still a
strain of it," she tells me. "It's shit sometimes that there are
literally no women working at record labels, and female artists tend to
get more questions about their validity as creatives, whereas male
artists in the same position don't. It's so frustrating."
The solution? Good old-fashioned support for her female peers,
which Charli considers an act of "basic human nature," and recognition
that the industry tends to pit them against each other without
understanding that all these women can exist in the same field. "I've
always felt that the women I've been surrounded by have been super
respectful to one another, especially now. There's a lot of unity
between female artists," she says. "I treat everyone the way I'd like to
be treated." Now, what could be more right than that?
Charli wears a Dolce & Gabbana dress, Jeremy Scott shoes.
Charli wears a Jeremy Scott coat and bag, House of Holland trousers.
Charli wears a Nicopanda jumper, Jeremy Scott shoes and a Screaming Mimi's scarf.
Charli wears a Jeremy Scott dress.
Styling by Lisa Katnic Hair by Andy Lecompte Makeup by Kali Kennedy Nails by Stephanie Stone Art by Garrett Davis Production by Rachel Ann Cole
July 21st San Diego, CA The Observatory North Park July 22nd Costa Mesa, CA Pacific Amphitheatre July 23rd Oakland, CA Fox Theater July 25th Seattle, WA Showbox SoDo July 26th Troutdale, OR Edgefield July 29th Denver, CO The Fillmore Auditorium August 4th Minneapolis, MN Cabooze Plaza August 5th Milwaukee, WI Eagles Ballroom August 7th Tulsa, OK Cain's Ballroom August 8th Kansas City, MO Starlight Theatre August 9th St. Louis, MO The Pageant August 11th Detroit, MI The Fillmore Detroit August 12th Columbus, OH LC Pavilion
* BÃ�RNS supports all dates
Second Leg Tour Dates:
September 14th Boston, MA House of Blues
September 16th Wallingford, CT The Dome
September 18th Philadelphia, PA Festival Pier
September 19th Shadow Of The City
September 21th New York, NY Central Park Summerstage
September 23rd Washington, DC Echo Stage
September 25th Tampa, FL Jannus Landing
September 27th Orlando, FL House Blues
October 1st Dallas, TX House of Blues
October 3st Houston, TX House of Blues
October 6st Phoenix, AZ Marquee
October 7st Los Angeles, CA Palladium
October 9th Las Vegas, NV Boulevard Pool at The Cosmopolitan