The Subversive and the Sticky
Two new books, out this fall, about artists marking their territory.
By Alexis Swerdloff
"All the world is indeed a stage, it's just a matter of enterprising
individuals to take over the role of director and improvising
a new reality," writes Paper senior editor Carlo McCormick in
Trespass: Uncommissioned Public Art. That's the underlying theme of
his book about street art, as well as that of Stickers: From Punk Rock
to Contemporary Art, both out this fall. The two books, written and
edited by Paper contributors, examine and celebrate the artists
who use lampposts, construction sites, public landmarks and dank
concert bathrooms as their canvases. Trespass, by McCormick and
the Wooster Collective's Marc and Sara Schiller, is a high-brow
meditation on and comprehensive journey through the history
of street art. And Stickers, by DB Burkeman and Paper's own
Monica LoCascio, features just about 4,000 stickers created by
over 1,300 artists. The book examines the role that stickers have
played over the years in the worlds of skate culture, politics, fine
art and music, and includes essays by those who've obsessed over
and collected them. Above are images
from the forthcoming books, below is a video promo for Stickers: From Punk Rock
to Contemporary Art.


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