FRIDAY, NOVEMBER 20, 2009

Zac Posen
Zac Posen never fails to impress us. We remember his first show when we felt like he was channeling the legendary Hollywood costume designer Adrian, who reached his peak designing for stars like Joan Crawford at a time when the prime objective of a female star's costume was to dazzle the audience. This, mixed with his Alaia-esque ability to hug the female form in a chic and non-vulgar way, show a level of sophistication rare for a young designer whose number of shows is still in the single digits. An amazing thing about Zac is that he sticks with his trademarks, regardless of where the winds of trend blow. Always the elaborate constructor, his pieces hint of 1930s and '40s glamour with an old-school flourish at the sleeve and shoulder and a Missoni-esque love of dramatic pattern. The color palette also stays within a certain range with neutrals, mossy greens and lavenders. This season, more than anything, was about pretty clothes. Skin on top, whether in scoop-necked or strapless dresses and tops, and structured strong shapes on the bottom. We like the pieces with cutouts, reminiscent of children's cutout snowflakes. Most of all we're always impressed with Zac's ability to rise to the occasion. There hasn't been a misstep yet, which is rare in a major design career. MICKEY BOARDMAN

PHOTOS BY CAROLINE TOREM-CRAIG

Zac Posen

Zac Posen

Zac Posen

Zac Posen

Zac Posen

Zac Posen

Zac Posen

Zac Posen

Zac Posen

Zac Posen

Zac Posen

Zac Posen

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This story was published on September 21, 2005.
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