Beth Lapides Tells It Like It Is

I really enjoyed Beth Lapides' essay in the L.A. Times Sunday magazine this week. So much so that I am going to cut and paste it here so you won't have to hassle with registering to read it.  Beth Lapides started the Un-Cabaret which was one of the hottest hotbeds of alternative comedy  in L.A. first in the Nineties and in our current Oughts. Many a talented if frustrated writer/actor/producer ranted, raved and vented there (Julia Sweeney developed her hit show "God Said HA!" from a series of monologues first performed at the Un-Cabaret.) Beth also has a new book out called "Did I Wake You? Haikus for Modern Living," recently published by Soft Skull Press. Her description of the Hollywood waiting game (reprinted below) is spot on and should be required reading for all young hopefuls before they set foot on the fetid boulevard of broken dreams.
 
"When It Comes to Patience, First Learn the Math" by Beth Lapides

Everyone in this "I need it yesterday" town is waiting for something: the overnights, the weekend read, the end of the day when they can finally take the edge off all the waiting with a drink. In this business, waiting's the thing. Which is why the image of the Sardi's booth, with a post-show cast huddled in anticipation of the early edition, is one of the stickiest images in show business iconography. And it's why waiting tables is the quintessential Hollywood day job.

"Can I help you?" the waiter asks.

"Yes," says the diner. "Hmm. Give me a couple more minutes, will you?"

And what does the waiter say? Nothing. He just waits. Because if you do not learn how to wait when you are a waiter, you do not get your tip.

I never did wait tables, but I learned my waiting lesson at MTV, a network devoted to an aesthetic of impatience. We'd made a pilot of my talk show for them. A pet project. A dream project. And it was looking good. The show was announced in the trades; there was buzz. But we were waiting for an official yes. Then the
network asked if we'd wait beyond our contractual "end-of-wait" date.


Unfortunately, I had not yet learned the primary axiom of Hollywood Math: The absence of yes over time equals no. So I kept waiting. And not doing anything else unless you count burning candles and chanting. The night we finally got the call that we were not "getting picked up"—a cruel phrase meaning "put down"—all we could do was play "Let It Bleed" over and over. At least that was one t
hing I could control. And then I had one of those you're-going-to-have-to-change moments. I knew that if I was going to continue in this business, I was going to have to get good at waiting.

But what would it take? I'm a very in-the-moment girl, and waiting is not being in the moment. Waiting is future focused. It has an element of hope. And if you've lived in Hollywood for more than 10 minutes, you know that hope will kill you.

So I did what I always do when I don't know what to do. I upped my yoga practice. And one day, I noticed I was waiting and yet not waiting. I was waiting
with grace. When waiting is graceful, it's called patience. And patience means waiting without waiting. Waiting while breathing. Waiting while moving on to the next project, celebrating your anniversary, devoting yourself to world peace, napping, tracking the moon, trying not to keep other people waiting any longer than necessary. In essence, living.

Waiting without waiting means that you are prepared for something good to happen, but that you proceed as if the possibility of the thing you are waiting for does not even exist.

Recently my people told me that I would definitely receive a particular o
ffer. A few weeks went by. No offer ensued. Applying the absence-of-yes-over-time formula, I figured the deal was dead. I called my people to confirm my suspicions. They checked and said the offer was, in fact, still in the works and now had a number attached. A nice number.

A few more weeks went by. And by a few more weeks I mean a month
. No offer. So I continue to wait for the offer without waiting for the offer. Because sometimes the absence of no over time equals yes.

Your Comment

Posted at 6:11 on Feb 01, 2007

Randy Focazio

Isnt Hollywood or I should say that Hanoi Rocks song Living on Broken Dreams the definitive L.a. sonG......

Posted at 6:19 on Feb 01, 2007

Randy Focazio

Hollywood iS a roll of the dIce.......sometimes women and maybe women over men wake up realizing they are Norma desmond from Sunset Boulevard or worse Betty/Diane from Mulholland Drive .......the window just never opens even if you have talent which sometimes comes second to nepotisM...that or they just do not "GET YOU" ...because yr unmarketabLe....I think most people who come here suffer some sort of multiple personality disorder( myself included ) which i not reaally a bad thing but maybe essential to being a performer or visual artisT....we all have the demon which inhabited Mick jagger in his PERFORMANCE charater TURNER...sometimmes we lose it or some never had it ,just the ghostly effect in the mind of the t.V. flicker that caught them .....

Posted at 6:58 on Feb 01, 2007

phil

I'm not in the biz but when I read this I thought about Ann's latest CD and how she gets her work (music) out there by herself. True, money is nice and lots of it is nicer but it is possible to exist and work outside of the fickle eye of the spectacle and its limitations on mediocrity. I think of Aaron Cometbus and Joe Frank also in this regard. Inspiring.

Posted at 9:22 on Feb 01, 2007

Randy Focazio

I agree ...but its sad that mediocrity reigns supremE.....but I guess it makes sense.....I always say in an alternate reality Ann would be like J-LO ....... but of course with pink fluorecent skieS...and talking furniture

Posted at 4:07 on Feb 07, 2007

randyfocazio

I work at the butt end of the film industry at the moment and let me say ...that no matter how low the egos are always elevated....and for no reason at all. Everyone is definetly out for themselves here ......with a shark grin